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Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. He started as though he was confronted by something totally different from the lady he expected to see. In truth Mr Lawrence had never seen Lucy Acton with her hair down. Always when they met her hair had been dressed in the prevailing mode, with a little fringing or shadowing of wisps on her fair brow and curls on the beautiful outlines of her shoulders. Whether her hair had become disengaged from its fastenings in the night, or whether the deck mattress had done half and she with her fingers had let fall the rest, matters not; she was before him, clothed all about her back and breast with her abundance of soft dark hair. "Say," he remarked, hesitatingly, "you got a great laugh, Billy.".
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"Have you news of her?" cried Miss Acton. "Certainly," returned Mrs. Keeler, "Cobin! Maurice! kneel down beside your chairs. The teacher wants to pray." "Why, no, sir." When Mr Lawrence found that nothing he could say, nothing he could implore, nothing he could entreat his companion to forgive, provoked Lucy into looking round from the window through which she gazed at the sea, nor caused her to alter her posture, which curiously suggested with dramatic art that she was alone, that the man was gone, that she was engrossed by thoughts of her own, he withdrew. After closing the door he seemed to hesitate over turning the key, but turned it nevertheless and pocketed it as before..
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